![]() The Plaintiff continued to see him, wherein he repeated the nude walkabouts, and she claimed to have slept dozens of times in the same bed while he was nude and she was fully clothed and on top of the covers. ![]() Defendant Elfman expressed to Plaintiff that this was the only way he could work, be creative, and successful.” The relationship took a turn one night in a hotel room, when Elfman allegedly “removed all of his clothing until he was completely nude, and walked around nude in front of Plaintiff, exposing his genitals. Elfman asked her opinions on films and music and treated her as “a consultant and protegé,” court documents claim. They became friendly and she accepted his frequent invitations to industry events, developing a relationship that she hoped would boost her own music career. The plaintiff allegedly met Elfman at a party in April of 1997. The participating museums said that they were postponing the exhibition “until a time we think that the powerful message of social and racial justice that is at the centre of Philip Guston’s work can be more clearly interpreted”. The Tate exhibition addresses the issue of the Ku Klux Klan at the start, with panels outlining how “Guston depicted racial injustice in his art from early on.” In a later section called Hoods, a wall text adds: “Guston raises questions about who is behind the hood and how their violent ideologies are masked in society.The lawsuit names Elfman and his company, Musica de la Muerta, alleging that he committed sexual assault, gender violence, intentional infliction of emotional distress, sexual harassment and negligence on her from 1997 to 2002. The show was originally due to open in June 2020 at Washington, DC’s National Gallery of Art, before travelling to Houston, London and Boston. ![]() Photo: © Tate Larina Fernandes Philip Guston NowĪ vast survey of Philip Guston’s work has finally opened at Tate Modern after it was postponed in 2020 in a row over the late artist’s Ku Klux Klan imagery. Philip Guston's Painting, Smoking, Eating (1973) is on show at Tate Modern Stedelijk Museum, Amsterdam © The Estate of Philip Guston. "I grew up in the Colonial Gold Coast and the sugar that we used was Tate & Lyle," he tells us. Tate Modern's Turbine Hall, until 14 April 2024Įl Anatsui’s Hyundai Commission for Tate Modern's Turbine Hall uses his trademark bottle caps to explore the relationship between the sugar industry, the Tate and the slave trade. Visitors can experience reruns of Imponderabilia (1977), which saw Abramović and her former partner and collaborator, the late German performance artist Ulay, stand naked in a narrow entrance, forcing visitors to squeeze between them and choose who to face. Spanning her 50-year career, this much-anticipated retrospective charts her practice through photographs, videos, objects and installations, as well as four of her ground-breaking performance pieces. ![]() Since establishing her reputation in the 1970s, the starry Serbian artist has redefined the nature of performance art and propelled it onto the world stage. It is hard to overstate Marina Abramović’s influence on contemporary art. Royal Academy of Arts, until 1 January 2024
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